The world is ending yet again in an often effective yet overlong adventure that sees a family trying to find safety amid mayhem
In a year when many of us obsessed over anti-escapist films about disasters engulfing the world while also being presented with a junkier than usual lineup of wannabe blockbusters (both the obvious result of the dreaded C-word), there’s something fitting about us closing the year out with Greenland, a chaotic comet thriller presenting the apocalypse up on a chipped platter, the cut-rate combo that 2020 deserves.
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