Tuesday, April 16, 2024

Marry Me a Little review – Sondheim’s rejects live happily ever after

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Available online
This lonely hearts revue with songs cut from Follies and other musicals is a carousel of regrets and rapture

Breaking up is hard to do – not just in relationships. When a song doesn’t fit in a musical, it can get cut from the final production. Despite all the effort and emotion that sustained it, the tune is unceremoniously dumped. But it ain’t over till it’s over. Those songs can be rekindled by their creators or, as with the Stephen Sondheim revue Marry Me a Little, lovingly matched together by others.

Conceived by Craig Lucas and Norman René, and first staged in 1980, this one-act musical unites a dozen or so songs chopped from Follies, A Little Night Music and other Sondheim classics, with a few that did make it into his musicals. They are repurposed for the story of two lonely hearts in New York, each stuck at home on a Saturday night.

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